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Long, William Joseph, 1866-1952

"Ways of Wood Folk"

She was so tame, he said, that in going to his work he
sometimes passed under the tree without disturbing her. The moment we
crossed the wall within sight of the nest, the bird slipped away out
of the orchard. Wishing to test her, we withdrew and waited till she
returned. Then the farmer passed within a few feet without disturbing
her in the least. Ten minutes later I followed him, and the bird flew
away again as I crossed the wall.
The notes of the golden-wing--much more varied and musical than those
of other woodpeckers--are probably the results of his new free life,
and the modified tongue and bill. In the woods one seldom hears from
him anything but the rattling _rat-a-tat-tat_, as he hammers away on a
dry old pine stub. As a rule he seems to do this more for the noise it
makes, and the exercise of his abilities, than because he expects to
find insects inside; except in winter time, when he goes back to his
old ways. But out in the fields he has a variety of notes. Sometimes
it is a loud _kee-uk_, like the scream of a blue jay divided into two
syllables, with the accent on the last. Again it is a loud cheery
whistling call, of very short notes run close together, with accent on
every other one. Again he teeters up and down on the end of an old
fence rail with a rollicking _eekoo, eekoo, eekoo_, that sounds more
like a laugh than anything else among the birds.


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