Maisie herself could play more pieces
than Mrs. Wix, who was moreover visibly ashamed of her houses and trees
and could only, with the help of a smutty forefinger, of doubtful
legitimacy in the field of art, do the smoke coming out of the chimneys.
They dealt, the governess and her pupil, in "subjects," but there were
many the governess put off from week to week and that they never got to
at all: she only used to say "We'll take that in its proper order." Her
order was a circle as vast as the untravelled globe. She had not the
spirit of adventure--the child could perfectly see how many subjects she
was afraid of. She took refuge on the firm ground of fiction, through
which indeed there curled the blue river of truth. She knew swarms of
stories, mostly those of the novels she had read; relating them with
a memory that never faltered and a wealth of detail that was Maisie's
delight. They were all about love and beauty and countesses and
wickedness. Her conversation was practically an endless narrative,
a great garden of romance, with sudden vistas into her own life and
gushing fountains of homeliness. These were the parts where they most
lingered; she made the child take with her again every step of her long,
lame course and think it beyond magic or monsters. Her pupil acquired a
vivid vision of every one who had ever, in her phrase, knocked against
her--some of them oh so hard!--every one literally but Mr. Wix, her
husband, as to whom nothing was mentioned save that he had been dead for
ages.
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