It happened thus. One day Mrs. Rusk was in the oak-room, I being then about
fourteen. She was removing a stain from a tapestry chair, and I watched the
process with a childish interest. She sat down to rest herself--she had
been stooping over her work--and threw her head back, for her neck was
weary, and in this position she fixed her eyes on a portrait that hung
before her.
It was a full-length, and represented a singularly handsome young man,
dark, slender, elegant, in a costume then quite obsolete, though I believe
it was seen at the beginning of this century--white leather pantaloons and
top-boots, a buff waistcoat, and a chocolate-coloured coat, and the hair
long and brushed back.
There was a remarkable elegance and a delicacy in the features, but also a
character of resolution and ability that quite took the portrait out of the
category of mere fops or fine men. When people looked at it for the first
time, I have so often heard the exclamation--'What a wonderfully handsome
man!' and then, 'What a clever face!' An Italian greyhound stood by him,
and some slender columns and a rich drapery in the background.
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