He
wrote for the poor and fugitive journals of the day, in prose and verse;
but the payment of the Norwegian press in those days was almost nothing.
It is difficult to know how he subsisted, yet he continued to exist.
Although none of his letters of this period seem to have been preserved,
a few landmarks are left us. The little play called _Kaempehoeien_ (The
Warrior's Barrow), which he had brought unfinished with him from
Grimstad, was completed and put into shape in May, 1850, accepted at the
Christiania Theatre, and acted three times during the following autumn.
Perhaps the most interesting fact connected with this performance was
that the only female part, that of Blanka, was taken by a young
debutante, Laura Svendsen; this was the actress afterwards to rise to
the height of eminence as the celebrated Mrs. Gundersen, no doubt the
most gifted of all Ibsen's original interpreters.
It was a matter of course that the poet was greatly cheered by the
acceptance of his play, and he immediately set to work on another, _Olaf
Liljekrans_; but this he put aside when _Kaempehoeien_ practically
failed.
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