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Ray, Anna Chapin, 1865-1945

"Half a Dozen Girls"

The sailor resisted his eloquence and refused to
proceed, uttering mutinous threats. against his leader's life. But
even in this crisis, the captain's presence of mind did not fail
him, and, seeing that his persuasions and commands were of no
avail, he promptly bound the sailor, hand and foot, and was
preparing to carry him forward on his shoulders, when a fierce
war-whopp was heard, and three ferocious savages rushed in upon
them, just as the curtain fell.
The second scene, was regarded by the actors as being their most
elaborate attempt. The room was darkened, and at the back of the
stage, three or four dusky braves were crouched about their camp
fire which, for the moment, had taken the form of an oil stove;
while in the foreground lay Alan and Jessie, bound and motionless,
awaiting the death which seemed inevitable. Jean had expended all
her energies on this scene, and the warriors smoked the peace-
pipe, inspected their medicines, and danced a war-dance with
befitting solemnity, while the captain writhed uneasily, not so
much with mental anguish as on account of the rheumatic twinges
which his cramped position had set to running up and down his legs
and back. Then, with a close fidelity to the old histories, an
imposing throne was brought in, and Jean, as Powhatan, mounted the
insecure structure; two stones were rolled into place at her feet,
the captives' heads were arranged on these comfortless pillows,
and a brave, ball-club in hand, took his place beside each.


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