It was
all orderly, circumspect, weird, and even stately though the place was
small. Finally, in front of the motionless figure was a tiny brazier in
which was a small fire.
Before the spectators had taken in the whole picture, the Chinaman who
had entered with them came and stood on the right of the space occupied
by the mat, near to the banners and the screens, and under a yellow light
which hung from the vaulted roof.
The figure on the fine bamboo mat was Li Choo, but not the Li Choo which
Tralee and Askatoon had known. He was seated with legs crossed in
Oriental fashion and with head slightly bowed. His face was calm and
dignified. It had an impassiveness which made an interminable distance
between him and those who had till now looked upon him as a poor Chinky,
doing a roustabout's work on a ranch, the handy-man, the
Jack-of-all-trades. Yet in spite of the menial work which he had done, it
was now to be seen that the despised Li Choo had still lived his own
life, removed by centuries and innumerable leagues from his daily
slavery.
As they looked at him, brooding, immobile, strange, he lifted his head,
and the excessive brightness of his black eyes struck with a sense of awe
all who saw. It was absurd that Li Choo, the hireling, "Yellowphiz," as
he had also been called, should here command a situation with the
authority of one who ruled.
Presently he spoke, not in broken English, but in Chinese.
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