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Various

"Punch, or the London Charivari, Volume 101, September 5, 1891"


Yes, at the "Lion d'Or" at Reims, on this occasion, _hic et nunc_, is
a combination of melancholy circumstances which would have delighted
_Mark Tapley_, and, as far as I know, _Mark Tapley_ only.
"On an occasion like this," I murmur to myself, having no one else to
whom I can murmur it confidentially,--for DAUBINET, having a knowledge
of the house, has disappeared down some mysterious passage in order to
examine and choose our rooms,--"there is, indeed, some merit in being
jolly."
DAUBINET returns. He has found the rooms. The somnolent boots will
carry our things upstairs. Which of the two rooms will I have? They
are _en suite_. I make no choice. It is, I protest, a matter of
perfect indifference to me; but one room being infinitely superior
to the other, I select it, apologetically. DAUBINET, being more of a
_Mark Tapley_ than I am, is quite satisfied with the arrangement, and
has almost entirely recovered his wonted high spirits.
[Illustration]
"Very good. _Tres bien!_ Da! Petzikoff! Pedadjoi! I shall sleep like
a top. _Bon soir! Buono notte! Karascho!_ Blass the Prince of WAILES!"
and he has disappeared into his bedroom. I never knew a man so quick
in unpacking, getting into bed, and going to sleep. He hasn't far
to go, or else Morpheus must have caught him up, _en route_, and
hypnotised him. I hear him singing and humming for two minutes; I hear
him calling out to me, "All right? Are you all right?" and, once again
invoking the spirit of _Mark Tapley_, I throw all the joviality I
can into my reply as I say, through the wall, "Quite, thanks.


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